Pixar’s Finding Nemo, a movie about a father’s chaotic journey through treacherous scenarios to find his kidnapped son reflects the pure beauty of family and how a child should always listen to his or her parents. In this rather cute, animated twist, Disney conveyed to opposing views: that children are often worshipped in society and that a child should always abide to his or her elders.
In most cartoon movies or television shows, children are deemed the most delicate pieces of society. The plot and characters of what hits the television are not necessarily important; what is important, however, is the tone, diction, and structure of these screenplays.
A prominent characteristic of Finding Nemo, like many other Pixar movies, is where the main character (most likely young or relating to young children) is faced with problems that he escapes with someone else’s help. In this movie, Nemo always seems to get himself caught into a pickle, only to be saved by either his friends or by his father. For an example, in the fishtank, Gill saves Nemo from being sucked up in the filter. Then later, upon his escape from the dreaded Darla and the dentist’s office, Nigel (the pelican) gave Nemo and his friends the key idea on how to escape. After playing dead, Nemo found his way to Sydney’s Bay. Finally, after relying on his friends, Nemo saved an entire school of fish by telling them to swim down after being caught in a mass feeding frenzy by local fishermen. The climax of the film, here Nemo becomes the “hero” and saves the day while getting reunited with his father.
Though the story is rather cute, the most significant attribute is the structure which seems to repeat in many Pixar movies. In Finding Nemo, the main character is faced with many troubles only to be relieved by his friends and family. The climax of the movie appears when the protagonist saves the day by himself. This sort of structure seems to play over in movies like The Lion King, Mulan, and Toy Story.
Another prominent attribute of this Pixar film is parental role which also correlates to many of the movies previously stated. Before his capture and Nemo’s first day of school, Marlin told his son not to swim out into open water and to stay with the class. Obviously defying what his father told him, Nemo swam out into the open water at “the drop off” in order to prove to his friends that he wasn’t scared to “touch the butt”. Not surprisingly, Nemo then gets captured by divers.
The last significant characteristic of Disney movies in general are their tone towards the younger audience. In almost a countless number of these children’s movies we find a very gentle tone appealing to the intended audience. These movies dabble with cute yet surreal characters, a happy, bubbly tone, and a traditional hero ending. Nowhere in these movies would you find horror, tragedy, or vice. This is because of society’s view on the next generation as being young, delicate, and emotional.